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Secrets of Screen Acting

Innovation & Digital Theatremaking: Rethinking Theatre With 'The Show Must Go Online'

Acting Is Believing: Stanislavski in the 21st Century

What Actors Do: Advice to the Players in Seven Paradoxes and a Manifesto

Sexual suspects: eighteenth-century players and sexual ideology

The Non-Professional Actor: Italian Neorealist Cinema and Beyond

The Non-Professional Actor: Italian Neorealist Cinema and Beyond

The Art of Broadsword Fighting for Stage and Screen: An Actor's and Director's Guide to Staged Violence

The Art of Broadsword Fighting for Stage and Screen: An Actor's and Director's Guide to Staged Violence

Stanislavsky and Pedagogy

Stanislavsky and pedagogy

Puppet and Spirit Volume I Sacred Roots : Material Entities, Consecrating Acts, Priestly Puppeteers: Ritual, Religion, and Performing Objects - Volume I,

Puppet and Spirit Volume I Sacred Roots : Material Entities, Consecrating Acts, Priestly Puppeteers: Ritual, Religion, and Performing Objects - Volume I,

How to Swing in Musical Theatre: A Guide to Covering the Ensemble

How to Swing in Musical Theatre: A Guide to Covering the Ensemble

Futures of Performance: The Responsibilities of Performing Arts in Higher Education

Futures of Performance: The Responsibilities of Performing Arts in Higher Education

Stanislavsky and Race: Questioning the "System" in the 21st Century

Stanislavsky and Race: Questioning the "System" in the 21st Century

Jerzy Grotowski's Journeys to the East

Etienne Decroux and His Theatre Laboratory

Jerzy Grotowski's Journeys to the East

Etienne Decroux and His Theatre Laboratory

Independent Performing Arts in Europe: Establishment and Survival of an Emerging Field

Independent Performing Arts in Europe: Establishment and Survival of an Emerging Field

Voice made visible: multi-octave voice training and techniques for performers

Voice made visible: multi-octave voice training and techniques for performers

Bourdieu in the Studio: Decolonising and Decentering Actor Training Through Ludic Activism

Bourdieu in the Studio: Decolonising and Decentering Actor Training Through Ludic Activism

Improvisation the Michael Chekhov Way: Active Exploration of Acting Techniques

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