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The Political Theory of Painting from Reynolds to Hazlitt : "The Body of the Politic"

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What is the function of painting in a commercial society?  John Barrell discusses how British artists and writers of the late eighteenth and early nineteenth centuries, including Sir Joshua Reynolds, William Blake, and James Barry attempted to answer this question.

His provocative and illuminating book offers a new perspective on both art criticism and eighteenth-century British culture.

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Product Details
Yale University Press
0300063555 / 9780300063554
Paperback / softback
26/04/1995
United States
English
viii, 366 p. : ill.
22 cm
postgraduate /research & professional /undergraduate Learn More
Reprint. Originally published: 1986.