Max Bill : arquitecto

This publication brings together his complete architectural work for the first time, work ranging from his early projects as a Bauhaus student, taking in his first house in Zurich-Hongg and his many designs for exhibitions, to such mature works as the Hochschule fur Gestaltung, Expo 64 in Lausanne or his own house in Zumikon, many of these unpublished for decades.

The information is rounded off with the pavilion-sculptures Max Bill dedicated himself to for twenty years and which stand midway between sculpture and architecture.

The number is introduced by critical texts from such important connoisseurs of his oeuvre as Stanislaus von Moos, Hans Frei, Karin Gimmi, Arthur Ruegg and Jakob Bill, Max Bill's son, along with unpublished archive material, extensive photo-reports commissioned for the occasion from the Swiss photographer Georg Aerni, and a selection of the author's most important theoretical writings.