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Shakespeare's Influence on Wagner's Operas : Unraveling the Hidden Connections

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 25 : Javanese

A Critique of Musicology : Clarifying the Scope, Limits and Purposes of Musicology

The Development of Melody in the Tone Poems of Richard Strauss : Motif, Figure and Theme

An English Translation and Commentary on Amand Vanderhagen's Methode Nouvelle Et Raisonnee Pour La Clarinette (1785) and Nouvelle Methode De Clarinette (1799) : A Study in Eighteenth-century French Clarinet Music

Opera Bibliography - v. 2

The Book of the Musical Artwork : Interpretation of the Musical Theories of Heinrich Schenker

Opera Discography - v. 3 : Performers

Quartets

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 27 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 29 : Solkattu (S. India)

A Critical Translation from the Italian of Vincenzo Manfredini's "Difesa Della Musica Moderna"/"In Defense of Modern Music" (1788)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 23 : Native American

Studies in the Schoenbergian Movement in Vienna and the United States : Essays in Honour of Marcel Dick

From Wagner to Murnau : Transposition of Romanticism from Stage to Screen

Origins of the Children's Song Cycle as a Musical Genre with Four Case Studies and an Original Cycle

Orchestration and Orchestral Style of Major Symphonic Works : Analytical Perspectives

The Teutonic Mythology of Richard Wagner's "Ring of the Nibelung" - v. 3 : The Natural and Supernatural Worlds

Haydn's "Sturm und Drang" Symphonies : Form and Meaning

The Operettas of Emmerich Kalman

Dance Performance by Lucnica, Slovak National Folklore Ballet : What is the Meaning of Staged Folkloric Performances?

Cultural Context of Mozart's "Magic Flute" : Social, Aesthetic, Philosophical

Student Teaching in the Choral Classroom : An Investigation of Secondary Choral Music Student Teachers' Perceptions of Instructional Successes and Problems as They Reflect on Their Music Teaching

Orchestration and Orchestral Style of Major Symphonic Works : Analytical Perspectives

Psychological Perspective on Camille Saint-Saens

A Biography of E.Azalia Smith Hackley (1867-1922), African-American Singer and Social Activist

The Resident Professional Company of the College of Wooster : A Celebration of the Ohio Light Opera

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 28 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 24 : Javanese

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 30 : Solkattu (S. India)

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