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The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 28 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 24 : Javanese

A Biography of E.Azalia Smith Hackley (1867-1922), African-American Singer and Social Activist

Dance Performance by Lucnica, Slovak National Folklore Ballet : What is the Meaning of Staged Folkloric Performances?

Cultural Context of Mozart's "Magic Flute" : Social, Aesthetic, Philosophical

Origins of the Children's Song Cycle as a Musical Genre with Four Case Studies and an Original Cycle

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 23 : Native American

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 30 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 29 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 27 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 25 : Javanese

Student Teaching in the Choral Classroom : An Investigation of Secondary Choral Music Student Teachers' Perceptions of Instructional Successes and Problems as They Reflect on Their Music Teaching

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 26 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 21 : Akom (Akan)

Classical Music's Evocation of the Myth of Childhood

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 5 : Hatsiatsia/Asafo (Akan)

Interviews with Sixteen Band Directors at Historically Black Colleges : Their Attitudes, Opinions, and Methods

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 22 : Highlife

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming

The Idea of the Division of Labor as the Cause of Alienation in the Industrial Society : From Emile Durkheim to the Present

Incorporating Assessment and the National Standards for Music Education into Everyday Teaching

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming

A Comprehensive Study of Romanian Art Song - v. 2

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 9 : Kpegisu (Ewe)

The Beginnings of Western Music in Meiji Era Japan

A College Level Tuba Curriculum

The Work of Vinnette Carroll, an African-American Theatre Artist

George Augustus Polgreen Bridgetower, Violin Virtuoso and Composer of Color in Late 18th Century Europe

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 17 : Agbadza

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