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Black Lives Matter and music: protest, intervention, reflection

The Art of Teaching Music

Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany

Music and Globalization: Critical Encounters

Singing Yoruba Christianity: music, media, and morality

Jazz Religion, the Second Line, and Black New Orleans: After Hurricane Katrina. (Jazz Religion, the Second Line, and Black New Orleans, New Edition)

Performing tsarist Russia in New York: music, emigres, and the American imagination

Hip hop Ukraine: music, race, and African migration

Intimacy, Performance, and the Lied in the Early Nineteenth Century

Music in the American Diasporic Wedding

Performing Al-Andalus: Music and Nostalgia Across the Mediterranean

Jethro Tull's Thick as a Brick and A Passion Play: Inside Two Long Songs

Music of Azerbaijan: From Mugham to Opera

Roland Hayes: the legacy of an American tenor

The Italian traditions and Puccini: compositional theory and practice in nineteenth-century opera

Mastering the flute with William Bennett

History of Music in Russia from Antiquity to 1800, Vol. 1: From Antiquity to the Beginning of the Eighteenth Century

A song to save the Salish Sea: musical performance as environmental activism

Women's songs from West Africa

The Rite of Spring at 100

The gnawa lions: authenticity and opportunity in Moroccan ritual music

Ferruccio Busoni and his legacy

Reconfiguring Myth and Narrative in Contemporary Opera: Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun

Musical Forces: Motion, Metaphor, and Meaning in Music

Breaking time's arrow: experiment and expression in the music of Charles Ives

A Shostakovich Casebook

Dance and the Music of J.S. Bach

Dolly Parton, gender, and country music

O let us howle some heavy note: music for witches, the melancholic, and the mad on the seventeenth-century English stage

Allusion as Narrative Premise in Brahms's Instrumental Music

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