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Gender in Modern Welsh History : Perspectives on Masculinity and Femininity in Wales from 1750 to 2000

Child Poverty in Wales : Exploring the Challenges for Schooling Future Generations

Policing Yesterday, Today, Tomorrow : The View from South Wales

Latin America and Existentialism : A Pan-American Literary History (1864-1938)

Kant’s Critique of Practical Reason : A Philosophy of Freedom

Plants Matter : Exploring the Becomings of Plants and People

Financial Gothic : Monsterized Capitalism in American Gothic Fiction

The Modern Spanish Sonnet

Motherhood and Childhood in Silvina Ocampo’s Works

Nature and Medieval Literature

Gentility in Early Modern Wales : The Salesbury Family, 1450–1720

This is Not a Grail Romance : Understanding Historia Peredur Vab Efrawc

Towards Modern Nationhood : Wales and Slovenia in Comparison, c. 1750-1918

The Conservative Party in Wales, 1945-1997

Queer for Fear : Horror Film and the Queer Spectator

International Human Rights in Post-Colonial Africa : Universality in Perspective

Grammar and Poetry in Late Medieval and Early Modern Wales : The Transmission and Reception of the Welsh Bardic Grammars

The Blaxploitation Horror Film : Adaptation, Appropriation and the Gothic

Gender and the 'Natural' Environment in the Middle Ages

The New Queer Gothic : Reading Queer Girls and Women in Contemporary Fiction and Film

Swansea’s Royal Institution and Wales’s First Museum

Man, Myth and Museum : Iorwerth C. Peate and the Making of the Welsh Folk Museum

Postcolonial Spain : Coloniality, Violence and Independence

Made by Labour : A Material and Visual History of British Labour, c. 1780-1924

The British Industrial Canal : Reading the Waterways from the Eighteenth Century to the Anthropocene

House of Horrors : Familial Intimacies in Contemporary American Horror Fiction

Charlotte Dacre: The Passions : A Novel in Four Parts (1811)

Horror in Classical Literature : ‘On a Profound and Elementary Principle'

The Space of Latin American Women Modernists

Spectral Spain : Haunted Houses, Silent Spaces and Traumatic Memories in Post-Franco Gothic Fiction

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